
Guilherme Albagli
Guilherme Albagli (b. 1954, Ilhéus, Bahia) is a Brazilian painter and muralist whose work is rooted in the sacred, the humanistic and the deeply Bahian. Of Sephardic Jewish and Brazilian-Portuguese descent, he has produced a body of work over six decades that encompasses painting, public murals, scenography, and restoration — including major works for the Cathedral Basilica of Salvador and the State University of Santa Cruz.
His artistic formation was forged outside institutional orthodoxy, through direct mentorships with painters and makers in Ilhéus and Rio de Janeiro, studies in architecture and the humanities, and sustained engagement with sacred imagery, popular tradition, and the discipline of materials. Formative encounters include time spent in the studio of Domenico Lazzarini in Ipanema, and a lasting dialogue with the Swiss painter Marie Louise Schmidt (Emeles).
At the centre of his pictorial work is the human figure — most often presented frontally, with direct gaze and solemn stillness. These figures do not perform for the viewer; they meet them. They are bearers of memory, faith, and what the artist describes as a belief in the possibility of ethical and spiritual renewal for humanity.











